Willie Nelson You Are Are My Sunshine Here We Go Again

Background: Willie Nelson. Foreground, from left: Aretha Franklin, Patsy Cline, Roy Orbison and Al Light-green. Photos Courtesy: Jay Dickman/Corbis/Getty Images; Donaldson Drove/Michael Ochs Archives/Getty Images; Michael Ochs Archives/Getty Images; Michael Ochs Athenaeum/Getty Images; Michael Ochs Archives/Getty Images

It's Willie Nelson's birthday, and in honor of his 89th spin around the sun, he's got a make new album out chosen A Beautiful Time. Nelson, a.k.a. The Cerise Headed Stranger, is famous for tons of different reasons beyond music — he's got his ain cannabis brand, and he's politically active on lots of different fronts. He'south been a supporter of marriage equality, animal rights, and recently even updated his song "I'll Be Seeing You" as a PSA for COVID-19 vaccination efforts.

At his core though, Willie Nelson is a songwriter. His new single, "I'll Dear Yous Till the Day I Dice," is merely the latest gorgeous tune in an outrageously productive career. Nelson got started back in the early on 1960s, writing songs that other artists fabricated famous, but A Beautiful Time, amazingly, is Nelson's 72nd solo studio album — y'all don't have to bust out the estimator to figure out that means he's been putting out, on boilerplate, more than ane album per year seemingly since the dawn of time. That's a lot of songs.

With that in mind, let's take a tour of some of the best covers of Willie Nelson'due south songs. At that place may exist no better tribute to a great songwriter than to take a look at the songs they wrote that were iconic in the careers of other artists. With Nelson, that's a long listing, but here are 5 of the best ones.

"Crazy," Patsy Cline (1961)

Patsy Cline singing for the Grand Ole Opry, c. 1958. Photo Courtesy: Everett Collection

When producer Owen Bradley brought the demo for "Crazy" to Patsy Cline, she wasn't impressed. Willie Nelson was not a well-known creative person at the time, only Bradley felt that the vocal would be a skilful choice for Cline. She gave it a shot, despite even so suffering from the effects of a serious car accident the month before that almost killed her and her brother.

On the first laissez passer, Cline cutting the session curt, saying she couldn't sing upward to her standards, but she returned days later and recorded the vocals, legendarily, in just one take. The recording became so popular that for a long time information technology was the second nigh popular song on jukeboxes in the U.S., just behind Elvis Presley's "Don't Be Cruel." It'southward an agonized, gorgeous song. Information technology's been covered by everyone from Linda Ronstadt to Diana Krall, and Willie himself has recorded it as well, just Cline'due south version is the 1 that rises above all the rest.

"Funny How Time Slips Abroad," Al Green (1973)

Al Dark-green performs on a BBC television show in 1973. Photograph Courtesy: David Redfern/Redferns/Getty Images

Willie Nelson wrote "Funny How Fourth dimension Slips Away" along with "Crazy" in just one week, according to legend. This song has been a huge hit for lots of different artists, but just as impressively, it's been a hit for artists in different genres. Listening to the original state version by Billy Walker and Brian Ferry'due south bizarre 1974 version back-to-back will make you feel like yous're listening to two totally different songs.

It'south Al Light-green's version though — off his 1973 album Telephone call Me, which also includes a cover of Hank Williams' land masterpiece "I'm So Lonesome I Could Cry" — that's my favorite. The way Green lets the song slowly build to a crescendo over the class of a total v minutes is simultaneously incredibly moving and really fun. Green makes it entirely his, only that's as well a credit to the malleability of the vocal — and to the elementary, universal appeal of its message.

"Night Life," Aretha Franklin (1967)

Aretha Franklin c. 1968. Photo Courtesy: Michael Ochs Archives/Getty Images

It's so hard to choose just one comprehend of "Night Life," a vocal Willie Nelson wrote in the late 1950s in Texas. Information technology seems similar every songwriter ends up getting around at some point to writing a song nearly how life in show business isn't easy, and this is 1 of the greats of that theme. That's probably why so many artists have taken a shot at recording it. From Marvin Gaye to B.J. Thomas, there are countless excellent renditions.

Aretha Franklin's version is the i that stands out most, though. Ostensibly a song about a quiet, lonely moment, Franklin'south singing has a kind of defiance to it. When she sings, "Listen to the blues and what they're maxim," information technology cuts right to the heart. You can't assistance but do what she says. Information technology'southward world'south abroad from the serenity, resignation of Nelson's version; both are gorgeous, just Franklin's is explosive and anthemic.

"Sad Songs and Waltzes," Cake (1996)

John McCrea of Block in 1997 at Shoreline Amphitheater in Mountain View, California. Photograph Courtesy: Tim Mosenfelder/Getty Images

1 of my first introductions to the songs of Willie Nelson was this cover of "Sad Songs and Waltzes" from Cake's 1996 album, Manner Nugget. This song, which Willie Nelson wrote for his 1973 album, Shotgun Willie, is one of those tunes that feels like it was destined to take been written at some betoken. Information technology's such a simple thought — the vocalizer lamenting the fact that the song he'southward singing probably won't ever be heard past the person he needs to hear it. Information technology'southward a great song about a feeling we all know well: feeling bad for yourself. Sometimes you need a song to see you through.

Cake'southward version is somehow both heartfelt and tongue-in-cheek — a play a joke on they pulled off elsewhere on Style Asset with their even more famous encompass of Gloria Gayner's "I Will Survive." The sad, lonesome trumpet along with the slow waltz rhythm in "Sad Songs and Waltzes" is just perfect. Listening to this song, you feel like you're alone in your room feeling lousy, merely, like, in a good way!

"Pretty Paper," Roy Orbison (1963)

Roy Orbison in 1965. Photo Courtesy: David Redfern/Redferns/Getty Images

"Pretty Paper" is a little miracle of a song — one of the rare Christmas standards that somehow works as a regular ballad, as well. The vocal, written in 1963, is about a disabled man Willie Nelson frequently saw years earlier selling paper and ribbons on the sidewalk in Fort Worth, Texas. The man would shout, "Pretty newspaper!" to get the attention of passersby, and Nelson ever constitute it all very moving.

Orbison'due south version of this song showcases his amazing and unusual vox, all while working as a perfect Christmas song that'southward full of rising strings and what sounds similar a chorus of angels singing fill-in harmonies. Willie'southward own version, of course, is a little more pensive and understated, and information technology's gorgeous, simply Orbison's version is the reason this song became a Christmas classic.

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Source: https://www.ask.com/culture/willie-nelson-songwriter-best-covers?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex

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